Explore the use of Colour in a creative environment
colours affect us in countless ways, mentally, physically, consciously and subconsciously. Good colour choices are important in design and a bad colour combination can have a negative effect.
The colour circle can be divided into warm and cool colours. it is a general rule in design to not use an excessive combination of warm and cool as it can confuse the audience. it can make design too busy and over powering.
warm colours reflect passion, happiness, enthusiasm and energy, cool colours reflect a sense of calm or professionalism.
complementary colours are the colours which are directly opposite each other on the colour wheel. these colours are mainly used on the web as designers can use the contrast to their advantage. they can choose a dominant colour and use them as background and a highlight colour.
Analogue colours are those which are on either side of any colour, these are more often used for nature and are harmonious colours. these colours match well and can be used to create comfortable and pleasing designs.
overall colour is a powerful design element and can be used effectively. cooridnating colour between elements is a good way to create unity.
some good links to colour schemes are colourschemedesigner.com and kuler.adobe.com
peter grundys use of colour is vital to his designs as they are bright and bold and show each meaning. the audience would not be able to tell what the meaning is without the use of colour and the well known connotations.
Designers also have to be aware of the colour blind when designing. Color blindness may be described as total or partial. Total color blindness is much less common than partial color blindness.There are two major types of color blindness: those who have difficulty distinguishing between red and green, and who have difficulty distinguishing between blue and yellow.
- Total color blindness
- Partial color blindness
- Red–green
- Dichromacy (protanopia and deuteranopia)
- Anomalous trichromacy (protanomaly and deuteranomaly)
- Blue–yellow
- Dichromacy (tritanopia)
- Anomalous trichromacy (tritanomaly
normal Rainbow seen by a person with full colour sight
seen by a person with deuteranopia
seen by a person with protanopia
seen by a person with tritanopia
Designers will have to be careful of using such colours schemes which could look too busy or aggressive to a colour blind person.
Designers also have to be aware of print colours and how they look different on different screen resolutions to how they print out.
Some printers have software which chooses the hues it thinks is best and therefore the design does not stay true to what is on the screen.
Prints change colour and density as they dry so sometimes a wait time is needed before assessing work.
LCD and flat screen generic models can have poor resolution so colours can look different or dull.
some software has settings which can control the colours. especially Photoshop and using the colour management settings.
Screens emit light and paper reflects light, These very different processes can never produce identical results.
My Colour tests